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"Fleurs de liberation: an ecology of resistance." Prospect.6 "the future is present, the harbinger is home." New Orleans African American Museum, New Orleans, LA. November 2, 2024 – February 2, 2025
"Fleurs de liberation: an ecology of resistance." Prospect.6 "the future is present, the harbinger is home." New Orleans African American Museum, New Orleans, LA. November 2, 2024 – February 2, 2025
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"Fleurs de liberation: an ecology of resistance." Prospect.6 "the future is present, the harbinger is home." New Orleans African American Museum, New Orleans, LA. November 2, 2024 – February 2, 2025
"Fleurs de liberation: an ecology of resistance." Prospect.6 "the future is present, the harbinger is home." New Orleans African American Museum, New Orleans, LA. November 2, 2024 – February 2, 2025
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Photography by Mikhail Mishin,
courtesy of Praise Shadows Art Gallery
Photography by Mikhail Mishin,
courtesy of Praise Shadows Art Gallery
Open a larger version of the following image in a popup:
Photography by Mikhail Mishin,
courtesy of Praise Shadows Art Gallery
Photography by Mikhail Mishin,
courtesy of Praise Shadows Art Gallery
Open a larger version of the following image in a popup:
Photography by Mikhail Mishin,
courtesy of Praise Shadows Art Gallery
Photography by Mikhail Mishin,
courtesy of Praise Shadows Art Gallery
Open a larger version of the following image in a popup:
Photography by Mikhail Mishin,
courtesy of Praise Shadows Art Gallery
Photography by Mikhail Mishin,
courtesy of Praise Shadows Art Gallery
Joiri Minaya
Lizard's Tail, 2024
Gouache on Yupo paper
14 x 11 inches
15 1/16 x 12 1/16 inches framed
15 1/16 x 12 1/16 inches framed
JM050
Copyright The Artist
Sold
Further images
This pattern was used in Joiri Minaya's Fleurs de liberation: an ecology of resistance at Prospect 6. New Orleans in 2024 wherein she cloaked the New Orleans African American Museum....
This pattern was used in Joiri Minaya's Fleurs de liberation: an ecology of resistance at Prospect 6. New Orleans in 2024 wherein she cloaked the New Orleans African American Museum. Minaya’s contribution to Prospect.6 focused on the use of plants as passive resistance against colonial assimilation through healing and sustenance within the Tréme neighborhood in New Orleans. Formerly the Morand Plantation, the area transformed into the largest and politically progressive community of Black people in the United States by the mid-1850’s. By completely covering the New Orleans African American Museum, Minaya highlights narratives and practices essential to the becoming of the structure and locality.
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