Oliver Jeffers: Universes in Bloom: A New Limited Edition Print
Current viewing_room
On the original painting Universes:
The worlds beyond our world, whose clues only reveal themselves when the light of our day grows low enough to view the dramatic and brilliantly colorful heavens after dusk, suggest a vastness we cannot possibly comprehend above our heads.
These are the same heads that grow bored of looking for what to play on the radio, wonder when our internet purchase will arrive, or what activity we will use to pass the time this weekend.
Perhaps there is more to this business of being alive than we give ourselves time (and perspective) to enjoy.
—Oliver Jeffers
Oliver Jeffers' Universes for the Anne H. Fitzpatrick Façade, commissioned by the Isabella Stewart Gardner Museum, was displayed from June 3 to October 4, 2022.
The paintings in The Night in Bloom exhibition were related to a large public art initiative by Jeffers called Our Place in Space, a 9 km long walkable sculpture trail exhibited in multiple locations throughout the United Kingdom in 2022. It featured a scale model of our solar system where the Sun is 3 meters wide, the Earth, 500 meters away is the size of a ping pong ball, and Pluto, 8.5 km further still, is the size of a match head.
The distance of our near cosmos laid out in as such encouraged us to look back on humanity from a vast distance and question the way in which humans divide ourselves and squabble over different stories and identities on the only bit of dry land known to harbor human life in all of the Universe.
Oliver Jeffers is a visual artist and author working in painting, bookmaking, illustration, collage, performance and sculpture. Curiosity, perspective, the power of storytelling, and humor are underlying themes throughout Oliver’s practice. While investigating the ways the human mind understands its world, and place within that world, his work also functions as comic relief in the face of futility.
Current directions for his art-making include the imaginary lines across land and imaginary lines in the sky. With the former, Jeffers–with a deep suspicion of Nationalism, Patriotism and Isolationism, born from growing up with the political and national uncertainty of a turbulent Belfast in the 1970s and 80s–picks apart the powerful story of human made borders, of how people treat other people. With the latter, Jeffers uses the construct of star constellations to take a longer lens approach to humanity’s story. With the egotism that was perhaps integral to the success of human civilization, Jeffers art looks at how we often forget our place in a grander cosmos- that the pictures we created for arrangements of stars in a night sky only make sense from this narrow perspective of Earth. But most importantly, given a seeming inability for people to comprehend the singularity of our Planet Earth, Jeffers tries to show, tell, and remind that this is the most urgent story humanity needs to rally around.
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