Oliver Jeffers: Universes in Bloom: A New Limited Edition Print

  • Oliver Jeffers, Universes in Bloom, 2026

    Oliver Jeffers

    Universes in Bloom, 2026
    Praise Shadows is thrilled to offer a new print edition by Oliver Jeffers. This print is an amalgam of two artworks: the original painting Universes that was on view in Oliver's 2022 Praise Shadows exhibition The Night in Bloom; and a facade commission at the Isabella Stewart Gardner Museum, also in 2022. A recent 2025 profile of Oliver in ARTnews mentions this work: "He’s turned that philosophy into an artistic through-line: a belief that humor, perspective, and empathy are the only real antidotes to catastrophe. That idea found a perfect home in 2022, when the Isabella Stewart Gardner Museum invited Jeffers to create its Anne H. Fitzpatrick façade. During his residency he painted Universes: a woman reading by lamplight while, above her, a deep-blue cosmos unfolds into constellations and comets. It was classic Jeffers—domestic intimacy set against infinite space."
  • Universes in Bloom 2026 Limited Edition of 20 plus 4 Artist Proofs Editioned, hand signed, and embossed by the artist...
    Universes in Bloom 
    2026
    Limited Edition of 20 plus 4 Artist Proofs
    Editioned, hand signed, and embossed by the artist
    Pigment ink print on 1005 cotton rag 300 gsm Moab Entrada Rag
    Published by Praise Shadows Art Gallery
    Print Size: 48 x 36 inches
    Image size: 40 x 26.68 inches
    (OJ194)
     
    Editions 1-10 / $4,000
    Editions 11-15 / $4,500
    Editions 16-20 / $5,000
    Artist Proofs are not available at this time
     
    Prices do not include S&H, applicable taxes, customs or duties. 
    Artwork can be picked up from Praise Shadows at 129 Kingston Street, Boston
     
  • On the original painting Universes: The worlds beyond our world, whose clues only reveal themselves when the light of our...
     

    On the original painting Universes:

     

    The worlds beyond our world, whose clues only reveal themselves when the light of our day grows low enough to view the dramatic and brilliantly colorful heavens after dusk, suggest a vastness we cannot possibly comprehend above our heads. 

     

    These are the same heads that grow bored of looking for what to play on the radio, wonder when our internet purchase will arrive, or what activity we will use to pass the time this weekend.

     

    Perhaps there is more to this business of being alive than we give ourselves time (and perspective) to enjoy.

     

    —Oliver Jeffers

  • Oliver Jeffers' Universes for the Anne H. Fitzpatrick Façade, commissioned by the Isabella Stewart Gardner Museum, was displayed from June...

    Oliver Jeffers' Universes for the Anne H. Fitzpatrick Façade, commissioned by the Isabella Stewart Gardner Museum, was displayed from June 3 to October 4, 2022.

     

    The paintings in The Night in Bloom exhibition were related to a large public art initiative by Jeffers called Our Place in Space, a 9 km long walkable sculpture trail exhibited in multiple locations throughout the United Kingdom in 2022. It featured a scale model of our solar system where the Sun is 3 meters wide, the Earth, 500 meters away is the size of a ping pong ball, and Pluto, 8.5 km further still, is the size of a match head.

     

    The distance of our near cosmos laid out in as such encouraged us to look back on humanity from a vast distance and question the way in which humans divide ourselves and squabble over different stories and identities on the only bit of dry land known to harbor human life in all of the Universe.


  • Oliver Jeffers
    Photo by Marc Azoulay

    Oliver Jeffers

    Oliver Jeffers is a visual artist and author working in painting, bookmaking, illustration, collage, performance and sculpture. Curiosity, perspective, the power of storytelling, and humor are underlying themes throughout Oliver’s practice. While investigating the ways the human mind understands its world, and place within that world, his work also functions as comic relief in the face of futility. 

     

    Current directions for his art-making include the imaginary lines across land and imaginary lines in the sky. With the former, Jeffers–with a deep suspicion of Nationalism, Patriotism and Isolationism, born from growing up with the political and national uncertainty of a turbulent Belfast in the 1970s and 80s–picks apart the powerful story of human made borders, of how people treat other people. With the latter, Jeffers uses the construct of star constellations to take a longer lens approach to humanity’s story. With the egotism that was perhaps integral to the success of human civilization, Jeffers art looks at how we often forget our place in a grander cosmos- that the pictures we created for arrangements of stars in a night sky only make sense from this narrow perspective of Earth. But most importantly, given a seeming inability for people to comprehend the singularity of our Planet Earth, Jeffers tries to show, tell, and remind that this is the most urgent story humanity needs to rally around.